Chanel Knitwear Factory

Chanel’s Metiers D’Art returns to Paris for the brand’s sixth and final collection of 2016, right back to the hallowed lobby of the recently renovated Ritz, where Coco Chanel famously lived from 1937 throughout World War II, and died in 1971. While a centre-piece of French pastries and cookies needs no excuse, the show – served up in three sittings at lunch, tea and dinnertime, was filled with the cosmopolitan, high-rolling glitterati that would have visited the Ritz in its heydays.

Weaving in between the tables, dancing with the occasional ‘stranger’ (who turns out was a dance duro), the models wore midi-skirts with deep V-neck tops to match, bubble-capes and hair veils decorated with roses. As look number 42 sauntered by, I recognised the golden tunic that was merely a sketch and a swatch panel when I’d visited Barrie just two weeks past. 

State-of-the-art knitting machines are used to achieve precise and complex designs

All Chanel knitwear is made in the ‘fully fashioned method’, which results in neater seams.

In the design room, I make a bee-line to a wall tiled with Karl’s sketches (I tend to dart off the leash at Chanel factories…), feeling a little naughty as I glean hints of the upcoming Metiers D’Art collection. The nonchalant hand-written annotations by the Chanel design team illustrate how the production process is a well-versed collaboration between the two studios. These rough sketches are then used by Barrietechnicians to construct the pattern, stitch-by-stitch, using a highly mathematical application that look like impossible pixel-art to me. I have a hard time wrapping my head around the fact that there can be as many as four Chanel collections, in varying technical complexities, in development and production at any given time. I can’t even do my laundry while the water is boiling.

It’s a gruelling process. Assembling one piece can take up to 40 steps, involving state-of-the-art Shima Seiki machines from Japan, as well as some near-extinct industrial beasts from the 70’s. But the star of the process is the hands, and that’s ultimately what the Chanel customer pays for: the meticulous and rigorous care of highly-skilled artisans.

As a parent-company, Chanel endorses the pursuit for the ‘best’, and this resonates through Barrie as every trainee, technician, craftsman, work towards indisputable quality and quiet over-achievements. And this, especially in a landscape of dubious origins and sub-par quality products (and politicians), is something sure worth paying for.