Never not relevant since they were published in 1963 during the emergence of the civil rights movement, Baldwin’s pair of essays are beautiful, tragic and hopeful.

Part one of a trilogy of critical writing, weaving thoughts on music and culture – Frantz Fanon, Theodor Adorno, Charles Mingus, Glenn Gould – into freewheeling discourse in and around the black radical tradition.

Humorous and poignant windows into 20 lives, documenting diversity and lived experiences for BAME people in post-Brexit Britain.

Essays and speeches by the inspirational black lesbian feminist poet, activist and writer whose radical, consciousness-raising writings embrace themes of sexuality, oppression, self-love and hope.